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		<title><![CDATA[AVI HiFi Forum]]></title>
		<link>http://hddaudio.net/index.php</link>
		<description><![CDATA[The most recent topics at AVI HiFi Forum.]]></description>
		<lastBuildDate>Fri, 18 May 2012 23:12:27 +0000</lastBuildDate>
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			<title><![CDATA[STUDIOSPARES SEIWIN POWERED STUDIO MONITORS (ST-6a)]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=5431&amp;action=new</link>
			<description><![CDATA[STUDIOSPARES SEIWIN POWERED STUDIO MONITORS ST-6a (PAIR)
(6” bass/mid, 1” tweeter)

[b]Intro[/b]
I purchased these speakers over a year ago so this user review is a little overdue but at least I’ve had the opportunity to use them in four locations with five different audio source feeds.

I’d been attempting to assemble a cheap amp/speaker combination, with reasonable sound quality, for a TV/music system and became disillusioned with the perceived lack of value from traditional budget hifi. So, after a bit of ‘googling’, I found myself immersed in a world of professional audio where I stumbled across these interesting little actives sold by Studiospares.

I’m not new to actives having made the switch from passive over two decades ago. My main music system is a part self-built 40ltr three-way active speaker system so I’m aware of actives’ capabilities.

My performance vs. cost expectations have been shaped by the hifi industry over many years so with the Seiwin’s selling for £126 per pair, I wasn’t expecting much. Studiospares have a good reputation and their description made them appear halfway decent. I was intrigued and took a risk by ordering a pair without auditioning - reckless really. I told myself I’d use them in the garage if they turned out bad. They’re not in the garage.

Seiwin are a Chinese company that specialise in the manufacture of pro audio equipment. Uncommon in the UK, I found only the one UK seller, Studiospares, who have branded them as their own. I’m guessing that Seiwin were extremely keen to get their name into the UK and that Studiospares managed to broker a superb deal. To my knowledge, this particular model (ST-6a) was the first Seiwin speaker to become available in the UK. Studiospares now sell several Seiwin active speakers.

We’re all aware of China’s aim to become the worlds’ manufacturers so perhaps to that end, their government subsidizes Seiwin in some way? I really wouldn’t know but I’m speculating because I don’t understand how something of this quality ended up in my living room for £130 (incl del.) - currently £141.

[b]The speakers[/b]
The Seiwins arrived packaged superbly and in pristine condition. Build quality is excellent for the price. Two power amplifiers are built into each speaker along with an electronic crossover and a power supply so I wasn’t expecting them to be lightweight; even so, they tip the scales at a hefty 10kg each and feel really solid.

Proportions are distinctly squat. The finish is domestically acceptable in black wrap, wood effect vinyl (I think) with the front and rear panels sprayed matt black. No grills, these are functional items designed for near-field monitoring in music production environs. They may not be the most desirable piece of hifi furniture so if you value form above function then I guess they’re not for you. The front panel edges are chamfered and the drive units are neatly fitted with rebated tweeters. Rear panel inputs (balanced XLR and ¼” jack), volume control and mains input connector seem of decent quality as are the supplied detachable mains leads. Even before plugging them in, it’s hard to reconcile the low price with the perceived build quality. Limited specs are available on both the Seiwin and Studiospares websites.

[url]http://www.seiwin.com/product_y.php[/url]

[url]http://www.studiospares.com/studio-monitors/studiospares-seiwin-powered-monitors-pair/invt/248030/[/url]

(Check the reviews on the Studiospares website – note the consistency of the comments and generally, unequivocal praise)

I don’t posses any audio measuring equipment so can’t substantiate the specs but I’m suspicious of one claim: Seiwin give the –10dB point at 50Hz which I would expect to yield a bass-light sound, whereas in practice, they have reasonable bass extension that’s commensurate with speaker type. 

Initially, I hooked them up to both a decent vintage Marantz CD player and a cheap modern DVD/CD player. Most listening was conducted in two rooms using different supports. I sat both near (approx 1.5m away) and far (approx 3.5m).

First thing worthy of mention is an initial switch-on delay that helps prevent nasty thumps (unexpected at this price and not mentioned in the very basic instruction manual supplied). Also, the volume control is full range, unlike some active monitors, taking the volume from silence to maximum. At this price, there are no ‘room compensating’ controls such as bass and treble cut/lift etc. The input sensitivity, unlike some pro actives, perfectly suits the output of most domestic audio sources with 0.775V required for full output, evidently.

[b]Sound quality[/b]
Straight out of the box, the sound was good but not special (maybe 7/10). It’s unreasonable to expect too much of a 6” bass/mid driver but even making allowances they lacked bass. More subtly, there was something not quite right with part of the midrange – I’d describe it as congestion/restriction, as if the speaker was holding back in some way. However, things improved markedly after a few hours of music playing and the sound further improved the following day - perhaps the bass/mid drivers in particular needed ’running in’?

By now the sound had opened up and these little actives really began to sing (around 9/10). They perform well in so many areas. Not an easy speaker on which to conduct detached analysis of the sound because they’re highly engaging and keep drawing you into the music.

First thing that strikes is their sheer impact and verve, sounding much larger than they actually are. They’re very clear, transparent, tonally pretty even and very focused/controlled. The bass response is decent for the size and top end is extended and clean although not quite silky smooth. Dynamics and transient response are a particular strength and at moderate volume, at least on a par with my main hi-fi.

Impact isn’t achieved by sheer volume alone or a particularly forward sound balance, it’s more to do with a superb sense of control and coherence. Really, this aspect of their performance is impressive at any price point. On some well-recorded, non-compressed music, this vice-like grip they exert on music can make them sound quite intimidating, even at low to medium volume. At twice the price, I’d still be a very satisfied customer.

I played ‘Cry Me a River’ by Michael Buble from the CD ‘Crazy Love’ - talk about impact, then ‘Green Shirt’ by Elvis Costello & the Attractions from the CD ‘Armed Forces’ - that snare drum has never sounded so realistic!

To my delight, they handled most types of music with the same aplomb. I tried rock, jazz, orchestral, experimental and electronic - all very impressive. Vocals really work too – female vocals weren’t lispy or too sibilant, male vocals not chesty. L-R stereo imaging was top drawer. Even at very close quarters, instruments and vocals were pinpointed in space between the speakers. I’ve never heard another speaker that can image that close - a bit of distance is usually necessary - but then again, these are near-field monitors. If you have desk space, I can imagine them working well either side of a PC monitor.

These speakers picked out sound differences between the cheap CD/DVD player, a mid-range CD player and the vintage Marantz. Most listening was done using my Marantz player which is transparent and slightly forward sounding such that after an hour or so, I become aware of a slightly relentless, mechanical quality. The speakers replicated these characteristics perfectly, which could be interpreted as a strength or a weakness. For example, I connected them to the analogue outputs of a budget Samsung PVR/DVD recorder and they sounded heavy, dull and lifeless – had I not known, I’d have sworn I was listening to different speakers. Can’t blame the speakers for taking on the character of the source signal they’re fed; it simply makes them revealing, honest speakers. They appear to have very little character of their own.

My only regret is that I don’t currently have optimum supports for them. The best sound I achieved was sitting just under two metres away with the speakers 1.5m apart on a hefty, protector-covered table – probably more akin to a recording studio situation. They sounded almost as good on too-low stands, angled upwards and 2m apart with me sitting about 3.5m away in a 4 x 5m room. I also gave them quite a workout over 4 hours in a 100sq m hall where, not unexpectedly, they lost much of their impact and sounded ‘small’. Still a pleasent sound nonetheless that drew many positive comments from non-hifi types. I’d guess these speakers wouldn’t be suitable for any listening space much larger than about 30sq m, but if you added a subwoofer, it could be a different story.

In many ways, these monitors bear comparison with my significantly more expensive main system. This makes the Seiwins amazing value for money so the following criticisms should be taken in context. For £130/pair they can’t be perfect and they’re not. One of the most difficult aspects of writing a review is to accurately convey the degree to which a particular characteristic applies but I’ll try.

I don’t generally listen to music that relies heavily on a big bass sound (like D&B or dubstep) but I imagine that any speaker with a 6” bass unit wouldn’t satisfy - could always add a subwoofer though. The lowest couple of octaves are not quite as expansive/dynamic as the rest of the frequency range. There is some reasonably deep bass that helps create a sense of acoustic or space/air around performers but inevitably, it lacks impact. That said I didn’t have ideal supports for the speakers (must get some). Positioning them fairly close (30cm) to a rear wall helped augment bass output. Bass though has been clean and drone free in all four listening environments I’ve tried them in and upper bass definitely has impact in reasonably sized rooms.

If you really wind up the volume, the treble becomes a little prominent, it’s as if the bass/mid unit can’t keep pace with the tweeter at such high volume. At this point though, you’ll be plastered against the far wall! Finally, although stereo is pinpoint in a line between the speakers, I didn’t detect much depth behind the speakers. Perhaps this is because the Marantz CD player has a slightly forward midrange/upper midrange? I should add that my main system also has little depth when using the Marantz as the source.

I wish I’d been able to conduct AB comparisons with other actives in their peer group or with a modern hifi amp & passive speakers as that may have shown up some subtle colouration I’ve missed – who knows. A mid-range mini system I have falls laughably short of the Seiwins sound quality.

Interestingly, when compared with my main hi-fi, I would say these monitors have more life, better integration of the drive units and superior midrange. My main system is a little polite, has greater refinement/smoothness yet a slightly ‘cupped-hand’ midrange, punchier and deeper bass and higher maximum volume. It’s a close call overall which is quite galling given the time (and money!) I’ve spent assembling my main set-up (maybe showing its age though?).

[b]Conclusion[/b]
These Seiwin monitors are far too good for the sound recording community to keep for themselves – they deserve wider recognition. They’re great for hi-fi and TV use and I’m sure they’d work brilliantly with PC’s and Mac’s. These days, source components often come with remote controls which can be used to control volume (amongst other things) – saves rummaging round the back of each speaker to adjust volume. If you wish to connect several line-level sources then just purchase a switch-box (from about £10).

If you’re contemplating purchase of a cost effective pair of small, active speakers/monitors, you won’t be disappointed with these. In fact, if your expectations have been shaped by the hifi industry, you’ll be amazed at the sonic quality available at this price point - value for money is off-scale. Unreservedly recommended.]]></description>
			<author><![CDATA[dummy@example.com (dogfonos)]]></author>
			<pubDate>Fri, 18 May 2012 23:12:27 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=5431&amp;action=new</guid>
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		<item>
			<title><![CDATA[What I am listening to now!]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=418&amp;action=new</link>
			<description><![CDATA[I have just made a Christmas compilation on Spotify of all those lovely tracks that you could hear if you inadvertantly found yourself in hi-fi show in the 1980s! 

Earl Klugh – I Heard It Through The Grapevine
Larry Carlton – High Steppin'
Dire Straits – Private Investigations
Mary Black – A Womans heart
Tracy Chapman – For My Lover
Tanita Tikaram – Twist In My Sobriety
Suzanne Vega – Luka
Joan Armatrading – Love And Affection
Judie Tzuke – Heaven Can Wait

Enjoy!

Martin]]></description>
			<author><![CDATA[dummy@example.com (fr0g)]]></author>
			<pubDate>Fri, 18 May 2012 22:29:38 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=418&amp;action=new</guid>
		</item>
		<item>
			<title><![CDATA[Noise-isolating earphone recommendations]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=5416&amp;action=new</link>
			<description><![CDATA[We've had a few discussions on earphones. I don't usually join in much, not being a great fan of headphones. However I now find I need a pair of noise-isolating earphones. I don't need the noise cancelling variety - just good sound isolation.

Tim mentioned the Shure SCL2 a while back but these are no longer available. Any other recommendations?

I'm happy to look at all price ranges at the moment - the main requirement is for a comfortable fit, good sound (not bass heavy or muffled) and robust construction. I'm after something professional rather than glitzy. it will be for use with an iPod Touch and I won't be using a headphone amplifier.

Browsing the interweb reviews, the following crop up:

Klipsch X10 (gets 5-stars from you-know-where so I'm immediately inclined to discount it)

Shure SE420 (now the 425)

I guess the Shure SCL3 should be in the mix if it is related to the SCL2.

I might be persuaded to throw in the B & W C5 having heard (and liked) the P5 at an Apple Store.

Not too fussed about Senny's as I usually find their headphones a bit bass heavy.

Over to you chaps …]]></description>
			<author><![CDATA[dummy@example.com (steve_1979)]]></author>
			<pubDate>Fri, 18 May 2012 21:25:15 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=5416&amp;action=new</guid>
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		<item>
			<title><![CDATA[What I am watching (or about to watch) now]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=1243&amp;action=new</link>
			<description><![CDATA[As a partner to Martin's highly successful music thread with a similar title, I thought I would start this. We don't seem to get time to watch much, but this bank holiday w/e we hope to watch the films:

- Far from the Madding Crowd (courtesy of Darren)

- Lust for Life (DVD, Kirk Douglas playing Van Gogh and a highly regarded film)

Phil]]></description>
			<author><![CDATA[dummy@example.com (Ashley James)]]></author>
			<pubDate>Fri, 18 May 2012 19:06:44 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=1243&amp;action=new</guid>
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			<title><![CDATA[I've jumped ship and have gone to the dark side..]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=5421&amp;action=new</link>
			<description><![CDATA[Got a call from a chap this morning, he said he has a HTC One X and an 8gb iPhone4, both brand new, still sealed in their boxes and unlocked, and he wants just e600 (Euros) for the pair, so i bit his hand off and am heading up to Arklow this evening to collect.

The plan [i]was[/i] to sell them both on, i'd get around e770, BUT, i bumped into a chap this morning and he had a One X, i had a play for a while and my 4S is now officially for sale, what a machine, roll on this evening :)

I should add that this isn't the first time that i've been impressed with an Android phone, and have jumped ship before, only to go back to the iPhone 4S and it's user friendliness and compact size, brilliant keypad and camera, etc, so i'm not too sure how long i'll stay on it, but i'm jumping, for now ;)]]></description>
			<author><![CDATA[dummy@example.com (maxflinn)]]></author>
			<pubDate>Fri, 18 May 2012 17:50:54 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=5421&amp;action=new</guid>
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		<item>
			<title><![CDATA[AirPlay and ATV supersede iPod docks]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=5427&amp;action=new</link>
			<description><![CDATA[I cannot understand the point of this £200 Arcam when an Apple TV effectively offers HDMI/SPDIF output from an iPhone, but without physical restrictions of docking.

Furthermore an ATV is half the price and has more features.

[url]http://www.whathifi.com/news/arcam-drdock-clocks-in-at-£200[/url]]]></description>
			<author><![CDATA[dummy@example.com (AlmaataKZ)]]></author>
			<pubDate>Fri, 18 May 2012 16:48:08 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=5427&amp;action=new</guid>
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			<title><![CDATA[Adm one for all remote code?]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=5400&amp;action=new</link>
			<description><![CDATA[I posted this in the wrong place earlier....

My new to me ADMs arrived and their are all cabled up and ready to go.
I got a One For All URC-7110 remote.
There is no code listed for ADMs and manually cycling through its 150 or so presets does not get a responce for the IR receiver.
Does any one have the 4 digit code for the ADMs or any other ideas to get them on?
Iggy and the Stooges have been on pause for some time and I don't want them to leave.
Cheers
Jim]]></description>
			<author><![CDATA[dummy@example.com (Redbarkedtree)]]></author>
			<pubDate>Fri, 18 May 2012 16:44:08 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=5400&amp;action=new</guid>
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		<item>
			<title><![CDATA[Film re-makes]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=2619&amp;action=new</link>
			<description><![CDATA[As mentioned in another thread I am watching a film that has been recently remade -- Dorian Gray.

I noticed this weekend that Brighton Rock is on its way to the cinema, again.

No doubt Robert Downey Jr has a few lined up over the next years, and I read somewhere that Will Smith may be the star of an Alfred Hitchcock remake.

Are re-makes strictly a no-no? It feels like every other film at the cinema is a re-hash, but then there must be some good ones available, made with the benefit of hindsight.

Hitch himself remade The Man Who Knew Too Much and I think Sabotage may have been a rework of Saboteur, although it could have been the other way around or just not at all.

And how about film adaptations of books? I enjoy these often, but is it lazy or just a different view, a different art form?

Perhaps we're at a stage where there is nothing new in the world.]]></description>
			<author><![CDATA[dummy@example.com (Darren)]]></author>
			<pubDate>Fri, 18 May 2012 16:00:59 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=2619&amp;action=new</guid>
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			<title><![CDATA[Those new ADM9T drive units]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=5420&amp;action=new</link>
			<description><![CDATA[[img]http://farm8.staticflickr.com/7091/7202686644_93abc3eed2_b.jpg[/img]

This image has been posted elsewhere but the drive units are so sexy that I thought they might deserve a thread.

My understanding is that Martin has been collaborating with Sinar Baja for a few years and that these new models address criticisms that Martin discovered though measurement of original ADM9 drivers.]]></description>
			<author><![CDATA[dummy@example.com (Ashley James)]]></author>
			<pubDate>Fri, 18 May 2012 08:55:36 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=5420&amp;action=new</guid>
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			<title><![CDATA[itunes with the lid closed?]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=5422&amp;action=new</link>
			<description><![CDATA[i would like to be able to close the lid on my mbp while still streaming itunes via airplay, is this possible?  i have read about a program called insomniax which it seems is supposed to allow this, but it doesn't seem to be working for me.  so either another way of doing this, or information on configuring insomniax would be appreciated.  i don't want to have to plug an external display, or keyboard in, which i think would allow me to do the same thing.  cheers.]]></description>
			<author><![CDATA[dummy@example.com (Bialykot)]]></author>
			<pubDate>Thu, 17 May 2012 22:57:39 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=5422&amp;action=new</guid>
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			<title><![CDATA[Ripping Blu-Ray on iMac than stream 1080p on Apple TV 3 and AVI ADM9.1]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=5266&amp;action=new</link>
			<description><![CDATA[Hi all,

If you want to rip a Blu-Ray disc on a iMac and than want to stream this as a 1080p mp4 or m4v file on a Apple TV 3 (or 720p on Apple TV 2) and play the sound through AVI ADM9.1, what is the best to achieve the bast quality in both sound and video?

Why? I bought a Apple TV 2 two months ago, for the purpose of playing music only on my AVI's ADM9.1's, mainly because my iMac is in my bedroom. But I have found out it is actually quit nice to watch photo's, movies and music video's as well. So I have started experimenting with converting to mp4 and m4v, audio settings and (Dutch) subtitles with the help of "Handbrake". 

So far I have found out that multi channel sound does not give an audio signal my TV or AVI's can handle, so I am now converting to 2 channel AAC (256kbps, close to music in iTunes Store), but is this the best setting? Isn't there a pass thru that keeps the kbps? 

I understand you can rip a DVD to a mp4 or m4v with the build in Superdrive and "Handbrake", but especially since I upgraded to Apple TV 3, I am far more interested in how to rip a Blu-Ray. Have anyone got any tips and/or info about that? Can I just buy Samsungs External USB Blu-Ray player, plug it into my computer and rip in 1080p and preserving the best possible sound available?

Of course I could ask on a Apple forum, but I think most owners of AVI's probably have something of Apple in their house and are more interested in quality...]]></description>
			<author><![CDATA[dummy@example.com (Redbarkedtree)]]></author>
			<pubDate>Thu, 17 May 2012 21:22:44 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=5266&amp;action=new</guid>
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			<title><![CDATA[Wirelessly Streaming from Laptop to ADM9's Analog Input]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=5417&amp;action=new</link>
			<description><![CDATA[A question to the experts here. I have a spare analog input on ADM9’s. I would like occasionaly to direct output from my laptop into this input.

I can do this by connecting a cable into the headphone output of my laptop and the other end of the cable into the phono inputs on the ADM9’s. How can I do this wirelessly ?

I am looking for a cheap and cheerful solution. I guess it would be something similar to an Airport Express, with some sort of receiver at the speaker end. But I don’t want to be tied to iTunes. It needs to work for any sound that would normally come out of the laptop speakers.]]></description>
			<author><![CDATA[dummy@example.com (dave97)]]></author>
			<pubDate>Thu, 17 May 2012 16:36:07 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=5417&amp;action=new</guid>
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			<title><![CDATA[ADM40s Imminent]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=4270&amp;action=new</link>
			<description><![CDATA[ADM40s measure 90 x 21 x 30 HWD, they are heavy, the Sub is controlled by the handset and there is a digital display. there are two analogue inputs and four optical digital and outputs for up to two Subs. The various filters are more accurate, signal switching is done by reed relay, they are more powerful and they use the most advanced drivers made today with a massive 50% more linear travel than any other. Everything is new, different and improved on the ADM9Ts as it should be for £3000 per pair.

They are a proper three way, so that selecting the sub gives a proper crossover at 100 Hz, hence the more accurate filters being essential.

We may start shipping in December, so if you need a rather special Christmas present this could be it.

[img]https://lh6.googleusercontent.com/-txyhnWnmtzY/TsOSVB7mkYI/AAAAAAAAA90/8ZHhzRDg_kU/s800/DSCF1801.JPG[/img]

Ash]]></description>
			<author><![CDATA[dummy@example.com (Audio2008)]]></author>
			<pubDate>Thu, 17 May 2012 11:44:33 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=4270&amp;action=new</guid>
		</item>
		<item>
			<title><![CDATA[New ADM9Ts]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=5184&amp;action=new</link>
			<description><![CDATA[[b]New ADM9T information on our website now and delivery commences first week of May, by which time we'll be snowed under with orders.[/b]

Hopefully by then we'll have shipped the first batch of ADM40s.

Exciting times. 

There are no more old ADM9Ts, they've sold more quickly than expected.]]></description>
			<author><![CDATA[dummy@example.com (Ashley James)]]></author>
			<pubDate>Thu, 17 May 2012 09:21:19 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=5184&amp;action=new</guid>
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		<item>
			<title><![CDATA[In ceiling or wall surround speakers]]></title>
			<link>http://hddaudio.net/viewtopic.php?id=5402&amp;action=new</link>
			<description><![CDATA[I have promised my wife that there will be virtually no wires or cables visible in our living room once we get round to redecorating in a month or so.  I have a couple of small Kef 'egg' surround speakers but want something that's less visible for the job (and I may even revert back to simple 2.1 sound for movies ie ADMs plus sub only).

Does anyone have experience of fitting / using in-wall or in-ceiling speakers for rear surround duties?]]></description>
			<author><![CDATA[dummy@example.com (jonone)]]></author>
			<pubDate>Thu, 17 May 2012 08:13:56 +0000</pubDate>
			<guid>http://hddaudio.net/viewtopic.php?id=5402&amp;action=new</guid>
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